I once owned the greatest pickup truck on Earth. It was a three-quarter ton, 4-wheel drive International Harvester pickup the color of vomit. The bumpers had been cut off and replaced with cast iron pipes. That truck could perform any feat of hauling, pulling, or intimidating. They truly do not make trucks like that anymore, since International stopped building them 35 years ago. When my life no longer required a truck, I sold it to a good home, and I haven’t owned a pickup since.

When my wife and I bought a house, I considered buying an old pickup. Home ownership occasionally demands that I buy expensive, heavy stuff and cart it to my house, so a truck might prove handy. But we didn’t have a good place in our garage or driveway to park the thing. I suggested parking it in front of the house. My wife reacted as if I’d suggested we build a satanic temple in the front yard, adorned with fountains of blood and a few impaled babies. No particle of my being had considered that parking a truck out front would be a bad thing. So, I found myself confronted by the fact that I am white trash.

That explains a lot. I’ve spent years in academic and business settings around the country and in other countries. Occasionally I’ve said or done something that caused others to react with surprise or mirth. The phenomenon hasn’t caused me great concern, but I have noted it.

I recently read an article on this topic, written by a sociologist. She wrote about her rural-born mother, who got a job in the big city and was embarrassed at how people reacted to her country ways. The writer observed how she herself had experienced this in the past. But she was no longer ashamed of her origin because she had dropped her accent, and she been in grad school, and she had been socialized into academia. She had eradicated evidence of her origin and had assimilated into her new culture. She now felt less fear that she’d be embarrassed because she failed to blend in. But she still might slip, and that was the burden of her uncouth upbringing.

Speaking as a fellow with some Sociology degrees, let me say that no person on Earth is more pretentious, with less justification, than a student in the process of earning a Sociology degree—or than a low-level Sociology professor pursuing tenure. If we want to live and work in a culture, we should learn it until we can navigate it like a native. We should understand that cultural events exist other than the rodeo. But that doesn’t mean there’s anything wrong with the rodeo. The last time I went to the opera, nobody was selling cotton candy, and that’s hardly a big plus in my book.

I theorize that the “ashamed of our origin” problem stems from childhood. I like willful children. I don’t own one, and I’ll admit that if I did I might feel differently. But I identify with them. When I was one of them I required a lot of guidance and discipline so that I didn’t become a shrieking baboon with sticky fingers and snot on my upper lip. Of course, if I had been forced to attend today’s public schools I would’ve created problems. “Discipline” doesn’t describe what I would require. Alternative schools would be inadequate for me. I would probably end up in a forced labor camp guarded by insane clowns.

But here’s my point. If willful children reach adulthood without being murdered or sent to prison, they’re unlikely to worry about embarrassment or blending in. If they leave home for a fine university or a more cosmopolitan locale, they’ll certainly learn the culture, but they probably won’t hide their past. And any field of endeavor (especially Sociology!) is better off with some members who didn’t all throw spit wads in the same prep school.

In the end, shame over my white trash origin hurts me and also my new-found friends who brim with culture and grace. If they laugh then I laugh with them and show them I don’t care, because confidence is king. And if my paramount concern is to blend in and avoid embarrassment, I should just go back home and chop cotton.

This Independence Day my wife and I patriotically supported the economy by going to the movies. She chose the movie, which was fine with me. I like movies of all kinds. I’m not prejudiced against any genre of movie. I’m prejudiced against movies that suck, regardless of genre. When I say “suck”, I mean poorly written, badly acted, unimaginatively filmed, and so trite that the corpse of a blind flat-worm could see the plot twists coming through a concrete wall.

In these days of Netflix and Hulu, traveling to an actual movie theater seems unspeakably dowdy. Yet I don’t look at it that way. Driving to the multiplex, parking a quarter-mile away, and paying $5.00 for 28 cents worth of popcorn all feel like part of a cherished ritual. The annoyance they cause is in itself oddly comforting. Perhaps it reminds me that I should be expected to put forth at least a little effort if I want to be entertained.

I dislike one part of the experience however. I do not care for previews. I know that some people like them, but to hell with them. When I buy my ticket I have some inkling of whether the movie I’m attending will suck. But watching previews is like being forced to eat a box of demonic Twinkies. Some may contain creamy filling, but some will reek of bile and the corruption of the human spirit.

Theaters think about their preview strategy, of course. They show us the previews they think we’ll like based on the movie we paid to see. For example, if a theater is playing “Descent Into Hell” then it will probably not show a preview for one of the My Little Pony films, unless it’s “My Little Pony – The Reckoning”. They try to target the trailers, but that doesn’t change the fact that lots of the previewed movies suck, and therefore the trailers will suck as well.

When the previews began this afternoon I knew that several trailers would be washing over us. In fact, we saw eight trailers before the actual film. But the movie we’d come to see was a romantic comedy, so I figured the previews couldn’t get truly hideous. Then an amazing trailer appeared, for an upcoming film I shall not name. It’s the story of two guys who’ve been friends for life. One’s a stressed-out family man with no more spontaneity, privacy, or sex life. The other’s a successful, workaholic sex-maniac living a shallow existence. They’re each frustrated by their own lives and envious of the other’s. In the land of movies, there’s only one logical way to resolve this dramatic tension, and of course that’s for these two men to be magically swapped into each other’s bodies, without their knowledge or consent. Then they can have all the fun of seeing how green the grass is on the other side, and then they can get into hilarious trouble, and then they can realize that they want what they had all along, just before they’re magically swapped back and learn a valuable, heartwarming lesson. I understand that this is THE ONLY WAY for movies to handle this situation. I accept that. But it seems that every possible method of magical body-swapping has already been done:

  • lightning bolt
  • gypsy fortune teller
  • magical amulet
  • magical earrings
  • breaking a voodoo mirror
  • spell cast by statue of an Aztec god
  • steering wheel blow to the head
  • malfunctioning Starfleet transporter
  • near-drowning experience
  • drink brain-exchanging serum
  • magic doodad inherited from a giant dead snake
  • magical soul transfer at the point of death gone awry
  • get drunk and have sex
  • somebody flat out casts a magic spell on you
  • brain transplant (after being captured by mutant thugs)
  • fortune cookie
  • wish that came true for some random, inexplicable reason

All of these mechanisms, and many more besides, have been employed by film makers to realize the artistic vision of the noble “Body Swap” storyline. Therefore, I viewed this afternoon’s preview skeptically. What would keep this movie from fading into the background? What creative twist could make it unique? And then the trailer revealed that these two friends will switch bodies because they’re talking about it while they’re both peeing in a public fountain!

That’s some amazing creativity right there. I can hardly wait.

As I work towards becoming a professionally successful writer, experts and advisors have slammed a message into my head with the force of a trip-hammer. I must develop a presence in the community of writing and publishing, as well as in the community for which I want to write. That includes an online presence, which means blogging, social networking, and websites. Creating my website has been my short-term goal for the past couple of weeks.

After a deluge of technical challenges, I got my website up and running last night. It resides at this highly creative url: www.bill-mccurry.com. Right now the content consists of 3 links to other sites, a sentence pointing out the 3 links to other sites, and a photo I think is kind of pretty. But it’s a beginning. More content will arrive soon!